Her recent institutional exhibitions and on-site paintings include psychylustro for Philadelphia Mural Arts Programme (2014); yes no why later at Garage Museum of Contemporary Art, Moscow (2015); Seven Hours, Eight Rooms, Three Trees at Museum Wiesbaden (2015); Untitled Trumpet for the 56th Biennale di Venezia (2015); Katharina Grosse at Museum Frieder Burda, Baden-Baden (2016); Rockaway for MoMA PS1’s Rockaway! programme in Fort Tilden, New York (2016); Asphalt Air and Hair at ARoS Triennial, Aarhus (2017); This Drove My Mother Up the Wall at South London Gallery (2017); The Horse Trotted Another Couple of Metres, Then It Stopped at Carriageworks, Sydney (2018); Wunderbild at National Gallery in Prague (2018/2019); Mumbling Mud at chi K11 art museum in Shanghai (2018/2019) and at chi K11 art space in Guangzhou (2019); the two-person show Mural: Jackson Pollock I Katharina Grosse at Museum of Fine Arts, Boston (2019/2020) and, most recently, Is It You? at The Baltimore Museum of Art (2020/2021), It Wasn’t Us at Hamburger Bahnhof – Museum für Gegenwart – Berlin (2020/2021) as well as Chill Seeping from the Walls Gets between Us at HAM – Helsinki Art Museum (2021/2022) and Shutter Splinter at Helsinki Biennale (2021), Chill Seeping at SCAD – Museum of Art, Savannah (2022), Apollo, Apollo as part of the program accompanying the 59th Biennale di Venezia at Espace Louis Vuitton, Venice (2022), Destroy Me Once, Destroy Me Twice on the grounds of the Roskilde Festival (2022), Studio Paintings, 1988–2022: Returns, Revisions, Inventions at the Mildred Lane Kemper Art Museum, St. Louis (2022) and at Kunstmuseum Bern (2023), and Splinter at Paris’s Fondation Louis Vuitton (2022), where her permanent work Canyon, in dialogue with Frank Gehry's architecture, was also unveiled last fall. Currently, her exhibition Why Three Tones Do Not Form a Triangle is on show at Albertina in Vienna (through April 2024).
Museum collections include Albertina, Vienna; Albright-Knox Art Gallery, Buffalo, NY; ARKEN Museum for Moderne Kunst, Copenhagen; Baltimore Museum of Art; Centre Georges Pompidou, Paris; Istanbul Modern; Kunsthaus Zürich; Kunstmuseum Bonn; K21 – Kunstsammlung Nordrhein-Westfalen, Düsseldorf; Lenbachhaus, Munich; Louis Vuitton Foundation, Paris; Magasin III, Stockholm; MARe (Muzeul de Artă Recentă / Museum of Recent Art), Bucharest; MAXXI – Museo nazionale delle arti del XXI secolo, Rome; Milwaukee Art Museum, Milwaukee; Museum Azman, Jakarta; Museum of Fine Arts Bern; Museum of Fine Arts, Boston; Museum of Modern Art, New York; Nasher Sculpture Center, Dallas; Perez Art Museum Miami; Serralves Museum, Porto; Staatliche Museen zu Berlin; and QAGOMA, Brisbane.
Among the honours she has received are the Villa Romana Stipend, Florence (1992), the Schmidt- Rottluff Stipend (1993), the Fred Thieler Prize (2003), and the Oskar Schlemmer Prize (2014). She has been selected by The German Federal Government as a jury member for the 2020–23 stipends at Villa Massimo, Rome, Casa Baldi, Olevano Romano, and Cité Internationale des Arts, Paris. Since October 2021 she has been the chairwoman of the board of KUNST-WERKE BERLIN e. V.
