This period around the year 2000 was characterised by futile efforts to tear down and whitewash German history. Scandals at the time, such as the CDU's black money affair and the debate on compensation for Nazi forced labourers, were discussed in public and were also reflected in the countless washing processes and lively discussions of our art project. Another important theme in our work was the general treatment of public space as a place of communication, which was already disappearing more and more in the course of privatisation and surveillance. weiss104 took place in such a place: a former "free" place, right in the heart of Berlin, where until the erection of the first German national monument (Kaiser Wilhelm I) its own laws always applied. Despite the immediate proximity to the palace, the residents of the houses on the Schlossfreiheit were exempt from many regulations and taxes due to the muddy ground. Until well into the Wilhelminian era, one of Berlin's river bathing establishments was also located there. It has therefore always been a place of communication, where laundry has always been hung up and Berliners have always washed themselves in the Spree. And this is where the circle closes for us.
We are watching with interest the endeavours to build a new river bath on the Spree and are delighted to support them. Our contribution to the Flussbad auction is a T-shirt signed by us, which was printed as a unique piece especially for the event. A reminder of our art happening, which was like a four-week festival where thousands of visitors washed their dirty laundry in front of the Chancellery and the Palace of the Republic